Below I’ll tell you why you should use it and I’ll show you how it works. Another way to beat the press is to use the "secondary" fast break (see " Secondary Break "). If 1 reads a soft 1-2-2 or 1-3-1 three-quarter or half-court press, morph the press break into a half-court trap offense by calling out “Even!” and having 3 fill the middle, 4 and 5 fill the wings and 1 and 2 fill the guard spots. If the press is beaten in the front court, X1 and X2 can look to double the ball or get a tap from behind. Check out the diagrams and options below to see if this type of attack will work for your team.​. 5. DIAGRAM 1: Alignment for press break. Plus, you may not have enough skilled players to duplicate the opponent’s press. No press breaker will be effective if you can’t inbound the ball safely. For tips on attacking the full court press, see "Attacking the Full Court Press".The 2-2-1 zone press attempts to deny and trap the sideline at the half court line. Most full court presses leave a player, sometimes multiple players, open down the floor. Against man pressure, you probably want to set screens to help your players get open. The 1-2-2 Full Court Zone Press is utilised by coaches in a number of situations and for a variety of reasons. Think of the court in four sections. If limited on time, we will have the offense start the drill over as soon as they pass half-court. In the diagrams below, notice how the offense maintains sideline, middle, reverse spacing. This avoids the risk of an over-and-back violation. The progression ideally should be middle (to 1), sideline (to 5), skip (to 2 or 3 depending) and back to 4. 5. There are many things you can do out of a 1-4 alignment. This is used against a hard wing trap and denial of the three immediate receivers. DIAGRAM 10: Even. This press could be the opponent's primary press, or could be an "adjustment" after you have beaten their press … This shortens a potential pass to the opposite side. Players must be trained to maintain vision of the floor. Think of it as the ball handler pulling teammates toward them. Execute a pullback dribble by turning your shoulders so that the ball is behind you, putting your chin on your top shoulder so that you can see the floor, and taking big push steps back to create space. Read the information on full court defense. From there, the offense tries to break the press and score. Time: 1.05.2012 nick: drothsolness breaking a 3-1-1 full court press You can use the concepts here not only to learn about breaking a full-court press but to also use the trapping hot-spots for your own press defense. The ball-handler can simply read the centerfielder and pass the ball ahead. 3 now takes 5’s press break responsibilities and vice versa. Talk to 1 about not dancing and moving a lot to get open. You now are back in your regular press-break alignment. No spin dribbling! Any time there is a trap, you want (1) sideline, (2) middle, and (3) reverse options. However, you must create space to make those passes. Teach your players that the goal of press offense is to SCORE! Skilled ball handlers may be able to pullback and attack the other direction off the dribble (“pullback and reattack”), but most players will want to beat the press with the pass. Use a 1-2-2 setup (diagram A). As with 1, you do not want a wing catching the ball below the block as this is prime trapping position for the defense. Teach your players that the goal of press offense is to SCORE! If the defense wants to jump out and switch on all screening actions, screening your own defender makes it difficult for them to do that. Also, you can use this press breaker against 1-2-2 and 2-1-2. How to Beat a Full Court Zone Press 2-2-1 This is a simple and effective press break to use against 2-2-1. The 3-1-1 zone press features three defenders across the free throw line area, one just beyond the 3-point line in the center, and one down-court in "prevent" (see Diagram A). However, shot selection is crucial when playing against full court pressure. 3 always is on the right side as your team heads down the floor, with 2 always on the left. By emphasizing the proper skills, mindset, and alignments, you can prepare your team to excel in these high-pressure moments. Remember, practice is the best way to ensure every single player understands their role so during the game no one is panicking. The 1-4 alignment eliminates that confusion because it can be used against any pressing defense. It’s more important for your players to know where they are supposed to be and what their reads are, rather than knowing exactly what an opponent’s press is going to do. If you’re facing a team that denies the inbound pass, you probably want to utilize screens to help free your ball-handlers. X2 and X3 are on the side. If playback doesn't begin shortly, try restarting your device. In the diagrams below, notice how, as the trap occurs, Player 1 uses a few pullback dribbles and the other teammates are “pulled” to the ball handler into the sideline, middle, reverse position. When 4 slaps the ball, 1 screens up for 3, who cuts to the right-side wing. The players “2 passes away” are in help position sagging off their man. For example, do you want your point guard to receive the first pass, or would you rather he or she attack up the floor on the second pass? Another possibility is for Player 5 to screen his or her own defender, making the switch more difficult. The point guard (1) initially sets up at the elbow in line with 4 and 5 initially set up at half court where the center circle meets the half-court line. You don’t want them crowding 1. Pullback dribbles allow you to get that space. One of the keys to breaking a press is to teach players to beat traps, reverse the scenario and attack the defense where it is weak. There are many factors that go into winning and losing basketball games: However, at the high school level and below, I don’t think anything will lose a game faster or more frequently than a team’s inability to handle pressure. First, see the articles on " Transition Offense " and " Attacking the Full-Court Press ". Two are at half court, near the sidelines. Again, players can be positioned however suits your team, but notice one important detail in the diagram: Player 5, typically a post player, sets the second screen for Player 1, the point guard. The success of the press break relies a great deal on their ability to break the press and move the ball towards the basket. Once again, 5’s job is to go to the ball-side sideline whenever the ball is in a wing’s hands (once the ball goes from the wing back to 4, 5 slants down the middle of the floor from his ball-side sideline backcourt position to the opposite foul-line area). We will show a few options in the next section, but you can use your imagination to adjust the press breaker to fit the personnel on your team. You can vary the press between full-court denial, full-court, or 3/4 court (or anything else you think of) to adjust to the types of pressure you will face. Good players don’t mind being trapped because they know that traps create openings for the offense. This press matches up well against teams that use a three-across, or 3-up, press offense. They also need to make extensive use of the crossover, pullback and hesitation dribble. Facing a full-court or half-court press usually is disconcerting for youth basketball players. Generally, we use these break-down drills more often early in the season when we are first teaching our match-up press system. This type of screen can free a teammate to receive the ball. There are five main coaching points to consider with these press breakers. Try these four adjustments to keep the ball moving into the front court. This alignment is used against all types of full-court pressure. Try to keep everything simple, while providing players with a few basic reads and adjustments so they are able to handle a variety of pressing situations. DIAGRAM 8: Loop out & fill. This still allows your team to hunt layups after it breaks the press. © 2021 Great American Media Services & Winning Hoops. If 3 reads zone press, 3 calls “Zone!” and 1 stays in the middle trying to get the ball from 3, 4 or 2 as those players reverse or skip the ball to one another. Emphasize vision in practice and reinforce it through the use of film so that your players learn the importance of seeing what options are available. Your first priority should be attacking the press for a layup. Once the ball is inbounded, all offensive players should have an advantage. If 3 reads man press, 3 yells “Clear!” and 1, 2, 4 and 5 clear down the floor keeping vision with the ball. 5 is on the other elbow. Starting with your players playing 1-on-1 (Drill #1) and working up to 5-on-5 (Drill #2). If the strong side of the floor is not open, the inbounder can run to the other side to explore options there. In practice, work on press breakers more in 5-on-0 rather than 5-on-5. With proper spacing, the player being trapped must simply remain poised and find the open teammate. The other three defenders are denying 5, 1 and 4. First, your point guard will usually be quicker than the opposing post player. If 4 does catch the ball in the middle, 4 looks at the back-side wing cutting toward the basket (in this case 2). DIAGRAM 2: ‘Point clear.’ Once 1 catches the ball, the next movements are based on the defense. I use this press break to attack the 1-2-1-1 full-court zone press. This look is good for teams that negate your screening actions with effective switching. Will your players be intimidated, or will they feel prepared to attack the defense for layups on the other end? There is also ball pressure which is important to make the full court man press work. Some teams will let the ball handler start to dribble, then will leave from another player and trap. Full court presses are, by nature, aggressive defenses. However, your screeners MUST be ready to receive a pass after screening. The best drill to use to prepare for Press Defense is a full-court pressure progression. I hope these tips and techniques will help you achieve success beating the 1-3-1 Full Court Zone Press. 4 always is the inbounder. Remember, many pressing teams want to speed you up. This press breaker is usually effective and is simple to teach and execute. ... First we start with 1-on-1, then 2-on-2, then progress to 3-on-3, 4-on-4 and finally the 5-on-5 match-up press. This shortens all passing options and creates even more space to operate. Against zone pressure, emphasize — particularly with the wings — that they must look up the floor after catching the ball. If your press offense only creates quick long-range jump shots, you are probably playing right into the hands of the defense. Teach 1 to get a good seal and try not to catch the ball below the block, much like you would teach a low-post player when discussing half-court offense. It takes advantage of the fact that most youth players cannot throw cross court passes. Against many teams, either option could benefit the offense. Emphasize both an attacking mindset and good shot selection. Realize that the weakness of the 1-2-1-1 full-court press is up the sideline at mid-court. Louisville is one of those teams that not only pressures full-court, but really gets out and runs in the open court. If your alignment has players deep down the floor, the defense will be able to do this more effectively. There are a few options if the offense gets to the middle and beats your press: 1. This is another benefit of bringing everyone up against a press. 5 hits either player, if open. This alignment can be effective against any of these looks. While the second option can certainly be effective against these teams, you may want to have another option as well. 2 flashes hard to the area 1 has vacated, gets the ball from 3 and immediately passes to the back side to 1. Use the 1-4 Press Break to Beat Any Pressure Defense! Diamond Press Initial Formation . DIAGRAM 1: Alignment for press break. 5 empties to the opposite free-throw line area. Once 1 reads it is a man press, 1 yells “Clear!” and 2, 3 and 4 clear down the court keeping vision with the ball. Some pressing teams try to deny all inbound passes. Get the ball in quickly before the press is set defensively, then a good long pass up the sideline and you've got a lay-up. DIAGRAM 3: ‘Point zone.’ If 1 reads the press is a zone, 1 calls “Zone!” and 4 stays in the middle, trying to get the ball from 1, 2 or 3 as those players reverse or skip the ball to one another. 4. Different scenarios force you to adjust your press breaker. The third entry is called the “5 Entry,” as the ball is being entered to the 5. The first is to 1, which is the primary look against most presses. Some coaches like the fifth player to be diagonal, while others prefer him or her to be deep. One of my favorite ways to attack full-court pressure (man or zone) is with the 1-4 press break. 3 now is being trapped. In the diagrams below, the defense is in a full court man-to-man face-guarding defense with the inbounder’s defender playing “centerfield.”. This is because it is very difficult for the defense to put two players on the ball while still covering sideline, middle, and reverse options. By bringing all players up, it eliminates back side help, opening up potential deep passes if the defense denies. DIAGRAM 4: ‘Wing clear.‘ If 3 catches the ball (as in the diagram), 5 goes to the ball-side sideline in the back court. Consider the best way to use your personnel. But there are schemes you can incorporate to not only break the press but get easy baskets. 4 passes to 3. The alignment of all five players in this press break provides good spacing and is consistent with their positions in our numbered fast break. This is usually a good idea because two advantages could be created against a switching defense. Stack two guards on the free throw line side by side or in a stack formation. One simple habit to teach your inbounders is to run the baseline after a made basket by your opponent. Each of these elements is crucial – without one, the other two are not nearly as effective. 1 must release down the floor and loop out to the wing spot. 3 must read whether the press is man or zone. This causes 1’s defender to follow. If the ball is reversed, players fill both sidelines and the middle. Teach 4 to move quickly to the inbounding spot outside the backboard with the ball already on the throwing shoulder and with eyes looking down the floor — much the way a quarterback sprints … DIAGRAM 1:When the opponent scores, 1 immediately grabs the ball and passes it in, hopefully before the opponent sets up its press. A full-court press is a basketball term for a defensive style in which the defense applies pressure to the offensive team the entire length of the court before and after the inbound pass. Many man or zone presses attempt to bait the ball handler into dribbling before coming to trap. If you're facing a full-court man-to-man press that is denying the inbounds, you'll want your outside players to break down the court as shown in the diagram below. If you are content with simply getting the ball across half court and running offense each possession, there is no risk for the defense and they will just press more aggressively. Make sure your players are very conscious of the six trapping areas, or corners, that an effective press tries to exploit. This is where the pullback dribble is necessary. If 1 or 3 are not open, 5 gets the ball back to 4 and widens out to the wing spot vacated by 3. If you experience a stretch where the opposition scores 6 - 8 quick points, use a full-court press to change the game. This is used against a 2-1-2 press. If you'd like to learn more about breaking pressure and see on-court demonstrations, we have a few DVDs that we recommend. Regardless, these first three options are essential. X1 plays a centerfield-type role at half-court. 4 always is the inbounder. Defensive side post stays just past half court as safety valve. For example, athletic teams with five players of similar size and quickness may be able to switch without giving up significant size or speed disadvantages. The only difference is the distance is much Another strategy against a switching defense is to screen your own defender. The second entry goes to one of the wings. Assuming the ball was not immediately thrown to one of the outside players, you'll want Player 1 and Player 2 to set screens for each other trying to get open. This basketball article diagrams and discusses break-down drills for teaching the full-court match-up press. There are two ways of playing the inbounds pass. 5 slips the screen looking for the long pass from 4. This press breaker is usually very effective and is simple to teach and execute. DIAGRAM 2:As soon as 1 has secured the ball and is ready to make the inbound … How to attack it . If a layup (or a quality shot from a good shooter) does not materialize, then you can run your offense and seek a better shot. If you are content with simply getting the ball across half court and running offense each possession, there is no risk for the defense and they will just press more aggressively. 1 stays at the usual ball-side elbow. If 4 is being locked up in the press by the middle zone defender, the opposite wing (in this case 3), flashes from behind the defense into the open area to give the defense another look. Teams that completely sell-out to deny the inbound pass can be very difficult to play against. This is the most important type of dribbling against trapping defenses. If the ball is inbounded to a good ball-handler, you can clear out of their way vs. a man-to-man defense. DIAGRAM 5: Wing zone. If the ball is dribbled or passed into the middle of the press, that’s our trigger that the press has been beaten. Meanwhile, 4 steps in and 2 holds position at the opposite wing. Use this press break to attack the opponent's full-court press. Common zone presses include the 2-2-1, 1-2-2, and 1-2-1-1 presses. Against a team that changes defenses, you don’t want your players looking to the sideline waiting for a play call. Opponents will need to make a choice: Do I bring up everyone, including a potentially slower post player, or do I just let the ball inbounds? This is one of their press breaker sets they use to get out and run. All rights reserved. This is a crucial part of attacking man or zone presses that like to trap. Interested in the print edition of Coach & Athletic Director? Part 3 - Additional Press Break Resources . This is because many pressing defenses will switch all screens. Setup: It's a 1-3-1 shallow look. Jumpy defenders can be moved and manipulated with clever ball fakes. Do not inbound pass right under the basket, as the backboard may prevent you from making a long, overhead pass. Post on offensive end breaks to near post. Teach 4 to move quickly to the inbounding spot outside the backboard with the ball already on the throwing shoulder and with eyes looking down the floor — much the way a quarterback sprints out from the line of scrimmage in football. As a ball handler uses a pullback dribble, his or her teammates should come back to the ball to shorten the pass. This tactic is often used to disrupt the rhythm of the opposition’s offensive transition and half court execution. 3 is halfway between the elbow and the half-court line aligned with 1. 1 breaks to the middle of the floor and 4 steps in. DIAGRAM 7: Box. The offense counters by all four potential pass receivers walking their defenders as close to the baseline as possible. Zone presses tend to have all five defenders on the ball side of the floor, so if 4 does receive the pass from 1, both wings should cut and 4 reads which one is open since the press defenders will not have committed to one side of the floor. This should create an opportunity for 1 and 5 to run a 2-on-1 break. As a coach, there’s nothing more frustrating than helplessly watching from the sidelines as your team commits countless turnovers when the other team extends its defense. This player should be big enough to see over pressing guards who contest the inbounds pass. The end result either should be a layup or a shot in the paint, otherwise, your offense needs to pull the ball out and start the offense. If 1 is fronted, 1 simply walks the defender to the block, seals the defender and 4 lobs the ball over the defender provided there isn’t any backside help. The problem is that ball handlers panic and simply don’t see them. If 1 is being three-quartered or played behind, 1 seals the defender and breaks to the ball. 2. The 1-2-1-1 press is a solid trapping defense that will give your team headaches in your backcourt. Switch it up by using more defenders than normal or taking away dribbles. 1 and 3 backdoor with 3 continuing all the way to the opposite free-throw line and 1 curling back to the middle of the floor. 4 makes a high, two-hand overhead entry pass to 5. First see "Attacking the Full Court Press" for general pointers. Some defenses will not trap, instead choosing to pressure the ball handler 1-on-1. Blocker-Mover Offense – Complete Coaching Guide, Read and React Offense – Complete Coaching Guide (20 Layers), How to Score Against the Pack Line Defense (7 Strategies), Swing Offense – Complete Coaching Guide (Includes Images), 1-4 Press Break to Score on Any Full-Court Defense, Can be Effective Against Man and Zone Presses, The Alignment Makes Denial More Difficult, Forces Opponent’s Post Players to Defend Full Court, your screeners MUST be ready to receive a pass after screening, How to Create a Youth Basketball Practice Plan, Parents: Please Stop Ruining Youth Sports, Zone Defense is Terrible for Youth Basketball, 21 Life Lessons Kids Learn Through Youth Sports, How to Win Every Youth Basketball Game (8 Terrible Tactics), 1-3-1 Zone Defense – Complete Coaching Guide.
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