Let’s tune the dial. On that night, the United States experienced a kind of mass hysteria that we had never seen before and the reason-which, today sounds almost comical-was a radio play. Keep your radio tuned in and follow the announcer’s advice. TONY FIELDS: All we have are descriptions. JAD ABUMRAD: All right, 8:04. It was a very popular so I don’t see why-, JAD ABUMRAD: Right, and, in fact, let me bring in a clip from Orson Welles’ producer at the time, John Houseman (sp? JAD ABUMRAD: We don’t know exactly how many people panicked that night. TONY FIELDS: Please, dear listeners, excuse the technical difficulties, there seems to be some sort of atmospheric conditions in interfering with the Radio Quito signal but you are listening to Radio Quito brought to you by, you know, such and such and now back to Benitez Valencia. ROBERT KRULWICH: The original H.G. And-and you’ll understand why in a second. ARCHIVE, Mercury Theater: ...back of a stonewall…. Or in the gas raid shelter. The top is beginning to rotate like a screw and the thing must be hollow. TONY FIELDS: They’re going to Cotocollao to fight the Martians. It’s that moment in time in our relationship to the media, okay? When we did the Martian broadcast we were fed up with the way in which everything that came over this new magic box, the radio, was being swallowed so in a way our broadcast was an assault on the credibility of that machine. Some idiot kids go into the woods, shriek a lot, and an old lady makes arts and crafts projects out of twigs and rocks. It was Halloween after all but if you consider that about 1 out of every 12 people didn’t the joke, that’s what surveys found afterwards. Was he just trying to give people a good ‘ol fashioned show business scare, make them scream way up in the balcony? JAD ABUMRAD: Now, before we ahead any further-before we go any further, let me ask a really basic question here, I mean, we’re dealing with a play, a radio play. We annihilated the world before your very ears and utterly destroyed the CBS. I’m a media critic and I still wade through the commercials to see, what is it that I’m doing to kill my child? 1968. ROBERT KRULWICH: Oh, I am-didn’t you just say? We would like to present our homage to-I guess to microbes. A year later their footage was found. Evidently, there’s some difficulty with our field transmission. TONY FIELDS: Perhaps. Kids in England were being told to take gas masks to school. JAD ABUMRAD: is the sound of 700 people who’ve come to bear witness to a recording of our show today. It’s dripping saliva! They manage to break into the ground floor where the printing presses are. Now, am I saying all those people are lying? You don’t want to die in your working clothes? The film in my opinion cannot be faulted in any way at all and is a classic of its genre. This time we take you to Washington: citizens of the nation, Secretary of the Interior. (song starts), JAD ABUMRAD: And just at that moment, thousands-hundreds-we don’t know how many listeners started to dial surf. ROBERT KRULWICH: The mayor didn’t call the general before-. Horror. This is their tale. ): Yes, I’m here. RICHARD GERRIG: Picturing that lazer coming toward him and, you know, spoiler alert: he doesn’t actually get split in two by the lazer, yeah, sorry. And it just so happened that one month prior something had happened that forever changed, well, the world and the news. They’re smashing printing presses. of the Mt. This movie is all about capturing the imagination of the viewer and really engrossing you into the situation. Most got up to the roof, jumped to adjoining buildings but six people died. ): And to break the fall- I guess, instinctively you want to break the fall-he grabbed onto the railing of that balcony. People poured out into the streets. I certainly wouldn't watch it again and will most likely Ebay the DVD. And all the passengers. This is best watched with no distractions. Three, uh, kids go into the woods. is handing me something that I’m supposed to read, thank you. This is what real people actually said. ROBERT KRULWICH: But when you entered the theater to see “The Blair Witch Project” the first thing you’d see on the screen are these two sentences: In October of 1994, three student filmmakers disappeared in the woods near Burkittsville, Maryland while shooting a documentary. An underreported story of a “War of the Worlds” reenactment happened in the mountains of Quito, Ecuador, 1949. ARCHIVE, Murrow: Columbia (sp?) No anchor, no reporter. And that is sort of the-the authoritative voice coming out of the darkness, this sort of invisible, disembodied voice of the powerful man, um, the news anchor. Where’s Quito? Have you ever been in a forest at night? ARCHIVE, Welles: This is Orson Welles, ladies and gentlemen, out of character, to assure you that the “War of the Worlds” has no further significance than as the holiday offering it was intended to be. ROBERT KRULWICH: And I’m Robert Krulwich. JASON LOVIGLIO: This was the beginning of the formatting of fear, the formatting of crisis and so people go the news-not to be afraid but to be afraid and then to be reassured. JAD ABUMRAD: Well, if I were alive in 1939 in front of the radio and I heard those sounds, what would I have thought? ARCHIVE, newscast: We interrupt this broadcast to bring you this important bulletin from the United Press. It's obnoxious seeing the characters get so angry at eachother, and yet it's also why this movie is so effective. ARCHIVE, Mercury Theater: 31 meters, 37 degrees. You can command Bullet to seek an item or clue, and he can show you where to go. He loved it. JAD ABUMRAD: Well, cause at that very same moment the majority of people listening were tuned into this. It’s that moment in time in our relationship to the media, okay. DANIEL MYRICK: We were getting calls from police, wondering where these three kids were and how come they never heard of this case-. ARCHIVE, Mercury Theater: The Columbia Broadcasting System and affiliated stations present the “War of the Worlds” by H.G Wells. If It's Been a While, Give It a Good Watch, Reviewed in the United States on June 19, 2018. If I am not wrong, this is the movie that set up the "lost footage" trend, so comparing a 1999 movie with the heavyweight champions of the genre is a bit unfair. ARCHIVE, Paez: Benitez Valencia. My favorite example is, there’s a scene in “Goldfinger”. – Partager pour nous encourager, donner vos impressions ainsi que les nouveaux mangas que vous souhaitez voir sur le site (sans oublier de participer au t’chat). There is no existing recording of what was broadcast that night. Go-ah. If you're the type of person who's used to watching modern high-tech movies, this is certainly not for you. Directed by Daniel Myrick, Eduardo Sánchez. He was completely engulfed in flames at that point and the skin on his hands just remained on the balcony like a barbeque grill. On the roof? TONY FIELDS: That’s right, that’s right. Assuming it ends the way they always do, ha, ha, ha, this is a joke, then what? ROBERT KRULWICH: Well, but how about Orson Welles. All those people are confused? I mean, I don’t know. Regarder des films en streaming complet sur votre smart TV, console de jeu, PC, Mac, smartphone, tablette et bien plus. ARCHIVE, other newscast: We interrupt our program to bring a special broadcast of the United Press. Being lost deep in the woods while being stalked by a possible Witch whose playing mind games with you but never actually make an appearance, it's an unsettling thought. The alternative endings weren't very good. Here was the opportunity and radio-the radio industry and the newspaper industry had been battling for years. ARCHIVE, newscast: We interrupt our program to bring a special broadcast. ARCHIVE, Pearson: Mr. Phillips, I cannot account for it. The itself only gets a one star as that is the minimum. JAD ABUMRAD: But the point-the point at which the fire started, what was he saying? MARIA BELTRAN TESTAGROSSA (sp? JAD ABUMRAD: This is my favorite minute in understanding one of the greatest media hoaxes of all time because the thing that’s interesting is that at this moment in October of 1938 our-Orson Welles in the Mercury Theater of the Air were not that popular. Reviewed in the United States on August 5, 2018. DANIEL MYRICK: And it’s those beat, those little moments that really make it convincing. ARCHIVE, Phillips: Those creatures-know what that means-anything (sound) wait a minute, something’s happening. You have one major radio station, which also happened to be in the same building as the one major newspaper, El Comercio. There are noises. ARCHIVE, Quito newscast: (heat wave sounds), ARCHIVE, Quito newscast: (screaming sounds). I watched this when it first came out, immediately demanded a refund from the theater (never got one), and swore if off for good. Am I being stalked by people just trying to scare me? DANIEL MYRICK: Oh yeah, I mean, it was constant. Basically, ha ha, it was a joke. The Blair Witch Project features the students investigating the legend of the witch, including interviews with locals about the various myths that have cropped up around her. JASON LOVIGLIO: I-somehow it gets me every time. A quick summary: three friends embark on a hiking expedition to film the whereabouts of the so-called "Blair Witch" who is said to occupy the rural mountains of Maryland. And, of course, we’ll ask the big questions, which is, can it happen again? The mouth is kind of V-shaped with saliva dripping from it rimless lips-. ): Take care. ROBERT KRULWICH: Who is Roc-? May he rest in peace. JASON LOVIGLIO: When you study the rhetoric that Roosevelt used, he really did convey two messages. JAD ABUMRAD: And in September Murrow and his producers did something with the news that was kind of novel. Meteors on Mars. JAD ABUMRAD: Around 12 million people were listening, most got the joke. All right, Tony, set the scene for me: 1949, Quito. The only good thing about this movie is the last minute. Three film students enter the Maryland forest to document the Blair Witch, but are never heard from again. ): Someone, uh, grabbed him and put him in a jeep to take him to the hospital. JAD ABUMRAD: Wait, real trucks? Whichever forces are at work in the forest results in the hikers becoming lost and desperate to go home. (sound of explosion), JAD ABUMRAD: Here the New Jersey militia fire on a fleet of Martian pods. It’s as tall as a tree and it is marching (sound effect) through the countryside, stomping everything in its path and then we are taken to field reports, live battle scenes between militia and pods but before we do, let me play one more clip. ROBERT KRULWICH: Yeah, him. So, all those-all those eye witness accounts about the panic and I thought it was this and I packed my bags and whatever, whatever, and all these sort of reports of people miscarrying, do you feel like that’s all in memory embellished or how do you explain that stuff? I just botched that, my apologies. JAD ABUMRAD: We interrupt this broadcast for some breaking news, uh, this just in. JAD ABUMRAD: And by the way, what time you got on your, uh, your pocket watch there? They made a beeline for the church. Spooky stuff. ROBERT KRULWICH: That the form-in the news is a-because the guy is always there because he’s an anchor, that’s the word means. Why are we bothering with a survey done six weeks later where the newspaper tells everybody that there was this giant panic? And we thank Michael Socolow for checking our facts. But then it happens again. ARCHIVE, Welles: Extremely surprised to learn that a story, which has become familiar to children through the medium of comic strips and-. We won’t be here in the morning. Reviewed in the United Kingdom on June 23, 2020, Reviewed in the United Kingdom on April 18, 2020, Reviewed in the United Kingdom on September 14, 2016, If you haven't been lost in the woods, now is the time, Reviewed in the United Kingdom on November 6, 2013. ROBERT KRULWICH: Whoa, wait, why didn’t they hear that? ROBERT KRULWICH: And he thought that was fabulous. Most notably, just now, when I said that the FCC Commissioner in 1938 called Orson Welles the radio terrorists. JAD ABUMRAD: October 30, 1938. They’re not very nice, uh, people. With nothing else to do tonight, I gave it another try. It is what is sounds like and Radio Quito  was the most popular radio station. ROBERT KRULWICH: Well, that’s a difficult question, I came across a psychology professor. Say what you will but horror films usually don't age this well. ARCHIVE, newscast: The makers of the Chase & Sanborn coffee you know is fresh presents the Chase and Sanborn hour. DANIEL MYRICK: There’s a couple moment in particular where they cut to the kind of on-site reporter-. Here’s what we do know. Let me ask you a question thought, uh, your dad is obviously a hero but given the fact that he was one of the voices that created the panic-, JAD ABUMRAD: The panic, did he feel some sort of ambivalence about-. JAD ABUMRAD: Socolow strongly suggests that the panic was actually trumped up by the newspapers who were trying to piss on this new medium called radio that was taking away their, you know, audience. It’s all fiction and it was all made up and I think it reinforces what Ed and I suspected that so much of us wants to believe. MARIA BELTRAN TESTAGROSSA (sp? They send Paez to report from the scene. JAD ABUMRAD: And just as you are utterly confused, along comes the expert. TONY FIELDS: Exactly. ARCHIVE, Phillips: Professor, may I begin our questions? Would I have believed it? JAD ABUMRAD: Well, they stormed the radio station. No one to reassure you. MICHAEL SOCOLOW: But if you were to actually find out whose TVs were on live at 9:48 in the morning that day and who was actually watching there would be a discrepancy in that number. ARCHIVE, Mercury Theater: We take you now to the field headquarters of the state militia near Grover Mills, New Jersey. With Heather Donahue, Michael C. Williams, Joshua Leonard, Bob Griffin. It's fear of the unknown. While this may not have totally started the genre, it was the first pure entry, with no "retrospective" elements or framework outside of a title card. It’s really a trauma and it’s-it’s the kind of that hysteria and panic we’re talking about. The film in my opinion cannot be faulted in any way at all and is a classic of its genre. Was this the first 'found footage film"? And we should say that your dad stayed behind to try and help other people to get out of the building. The spectroscope indicates the gas to be hydrogen and moving toward the Earth with enormous velocity. Finden Sie hier Traueranzeigen, Todesanzeigen und Beileidsbekundungen aus Ihrer Tageszeitung oder passende Hilfe im Trauerfall. JAD ABUMRAD: That was Orson Welles concluding the “War of the Worlds” broadcast with those words. Real military vans? ARCHIVE, Hindenburg newscast: Oh, the humanity. ARCHIVE, radio newscast: If you live in one of the areas mentioned and you have a child of school age and wish to have him evacuated, you should send him to school tomorrow, Friday, with hand luggage containing the child’s gas mask, a change of underclothing-. This is one of those Love It or Hate It movies. Don't go into this expecting a gore fest! I have to admit, we had a good time watching it. At the time it was a pretty small city. Reviewed in the United States on September 22, 2016. MARIA BELTRAN TESTAGROSSA (sp? ARCHIVE, Mercury Theater: Following on the news given in our bulletin a moment ago, the government meteorological bureau has requested—. That’s-we’re going to call that seat, 1938. He landed on cement. Because he’s the guy I wanna ask, like, what were you thinking? JAD ABUMRAD: Okay, well, I guess it’s a valid question you ask. JAD ABUMRAD: Yes, and then, uh, merely 10 years ago we decided to take another look at this broadcast, which has gotten very complicated and layered and disputed in some ways over time. I didn't know If I'd like this, but it's actually a good movie just because of how they build up everything in your imagination. What about you? JAD ABUMRAD: Do you buy this? JAD ABUMRAD: Okay, well, let’s do something. ROBERT KRULWICH: We’re lucky we do have transcripts of what happened on the other side of radios that night, thanks to a Princeton sociologist, who went out and conducted a series of interviews after the broadcast and what’s amazing is effective that broadcast was. MICHAEL SOCOLOW: Let me give you-let me give you an analogy, okay, if you were to ask 100 Americans today, did you see a plane fly into the World Trade Center on September 11th, I think you would get an extremely high percentage of people say they saw that plane fly in. Marshal law prevails throughout New Jersey and eastern Pennsylvania. ARCHIVE, Murrow: I’m standing on a rooftop. ARCHIVE, WKBW broadcast: I can hardly look at it, I can hardly look it. Look, if we-you-you-if there wasn’t another one of these, what would we be doing for the next 40 minutes? ARCHIVE, Mercury Theater: Ladies and gentlemen, we interrupt our program of dance music to bring you a special bulletin from the Intercontinental Radio News. JORGE RIBADENEIRA: (speaking Spanish) decir. ARCHIVE, TV broadcast montage: Right now at 11, a night of shopping turned into a night of fear...swarming over borders, flooding cities and towns...Muslim immigrants ...teens texting and driving, it’s a deadly mix… terror in the toilet… and sinkholes and landslides… python in the potty... A rabid baby goat terrorist working at one of our airports? All that fear turned pretty quickly to anger. You know, is there still any phenomena out in Burkittsville and da, da, da. What about that? Apparently his friends thought it was pretty cool, so, he just had to watch it. ARCHIVE, Welles: In fact, we weren’t as innocent as we meant to be. JAD ABUMRAD: Tell us the story from your dad’s perspective from here forward. According to reporter Tony, uh, one guy stayed behind. I certainly don't think this should be categorised as a horror movie. ROBERT KRULWICH: No, no, you never go, you know, cover the governor and say, first I’m going to scare them and then I’m going to assuage them, no one would do that. ROBERT KRULWICH: Which is not unlike what is was like on September-. ARCHIVE, Mercury Theater: 15 meters. MARIA BELTRAN TESTAGROSSA (sp? JAD ABUMRAD: I mean, honestly, why would you do that to people? I remember sitting through it when it first came out and hating it until that last minute that somewhat redeems it. I think to appreciate 'The Blair Witch Project,' you have to understand the circumstances of how it was marketed. No, what I’m saying is that the relationship of memory to the media is extremely complex. JAD ABUMRAD: So, which one was it, you think? It's just plain spooky. Let me try to recreate what it was like in 1999: Reviewed in the United States on October 11, 2018. I think to appreciate 'The Blair Witch Project,' you have to understand the circumstances of how it was marketed. It's nearly 20 years later and this (once) one-of-a-kind found footage movie still bests most of its competitors in this sub-genre. ROBERT KRULWICH: Thanks to the folks at WKBW Buffalo for that. The New York Times switchboard received 875 calls alone from people wanting to know where they’d be safer. ARCHIVE, Mercury Theater: Ladies and gentlemen. And this is what people were fleeing theaters in terror over? JAD ABUMRAD: But why else would you talk that way? Okay, but forgetting that for a moment, what about this second lesson he had to teach us-the thing about: don’t believe the radio? ROBERT KRULWICH: Uh, the pocket watch says: 8:04. We decided that the time had come we should be doing a science fiction show and so we tried a few that weren’t very easy to do-. ROBERT KRULWICH: I’m thinking explosions on Mars, hydrogen gas moving towards Earth. – Garder download-film.club dans ses favoris pour revenir nous voir plus souvent. JAD ABUMRAD: Now, we’ve had four interruptions. JAD ABUMRAD: So, after weeks and weeks of hearing these constant interruptions, it’s easy to understand why this play-, ARCHIVE, Mercury Theater: Ladies and Gentlemen, following on the news given in our bulletin a moment ago-. (background shouts, he’s moving, stand back, keep those men back, keep those idiots back, the top’s moving), ARCHIVE, Phillips: Ladies and Gentlemen, this is the most terrifying thing I’ve- I’ve ever witnessed. I said to my nephew, we may as well eat this chicken. TONY FIELDS: Real military vans with real soldiers. TONY FIELDS: Eventually the music stops and Leonardo Paez comes on the air and says. One day someone shows up with a script for Orson Welles-not H.G Wells-Orson Welles’ version of “War of the Worlds,” gives it to Leonardo Paez, he reads it, says: brilliant. By submitting your information, you're agreeing to receive communications So he set out to screw with people, basically, I mean, he was planting paranoia. I shall not try to conceal the gravity of…(INAUDIBLE) has handed me…the situation…cylinders are falling all over the country. The Trenton police department got 2,000 calls in under 2 hours. I didn't expect gore, and I didn't want gore but, for me, this wasn't scarey at all. As time wears on, they lose more than direction and come across far more than they planned to see. They had a tiny, tiny slice of the audience. Reviewed in the United States on February 9, 2020. This end of the thing is beginning to flake off. Share this on Facebook (Opens in a new window), Share this on Twitter (Opens in a new window), MICHAEL SOCOLOW: Let me give you-let me give you an analogy, okay, if you were to ask 100 Americans today, did you see a plane fly into the World Trade Center on September 11. , I think you would get an extremely high percentage of people say they saw that plane fly in. That was Ed Bergen (sp? JAD ABUMRAD: We’re in St. Paul, Minnesota in the Fitzgerald Theater. MARIA BELTRAN TESTAGROSSA (sp? ), it had the puppet-, ROBERT KRULWICH: Charlie McCarthy who-who-who liked girls-, JAD ABUMRAD: That’s right, it was the most popular show at the time, ran opposite the Mercury Theater on the Air, had ten times the audience but at 8:05 the host, Don Ameche, introduces a not so popular singer, ARCHIVE, radio newcast: And it’s the rousing, rip-roaring song of the vagabonds from the Vagabond king. Ladies and gentlemen, this is terrific. To try to right his wrongs, he sets off to join the search for a missing boy in the Black Hills Forest near Burkittsville, Maryland. The director is Heather Donahue (Heather Donahue), her main cameraman is Joshua Leonard (Joshua Leonard) and Michael Williams (Michael C. Williams) is the sound crew. They all believed it. ROBERT KRULWICH: that most people already knew- if he could grab us and if they could do it again in Ecuador and then if they can do it again in Buffalo, what does that tell you? I can make out a small beam of light against the mirror. We still get emails occasionally on what part of the story’s real. I’m Jad Abumrad. You want to hear that it belongs to Mrs. James C. McGillicutty of 2214 Beaudry (sp?) JAD ABUMRAD: Maybe subconsciously that had an effect to convince people that something was, in fact, happening, a feeling furthered a moment later when the Professor and a reporter called Phillips go live to that field in Grover Mills, New Jersey where that meteorite-or whatever it is-has landed. But that’s because it’s part of our national visual memory. So, the suggestion here is that what we see might be real. I’m sure there must’ve been some ambivalence but from what I understand the story was kept-it was very top secret so that even the employees did not know what was going to be broadcast during that music program. Does everybody know this “War of the Worlds” story? Although some of the articles that I read-they tried to throw him back into the building. I’m Robert Krulwich is my name and with all due respect, I mean, if we had any number of things we could’ve done in the hour. The “War of the Worlds” not once, not twice-we’ve told-shown you three broadcasts tonight, it was so good at grabbing an audience and sucking them in that the Welles formula-you might call it-the newscast that scares you enough to keep you listening has been adopted by-of all folks-news companies. JAD ABUMRAD: And he does continue to play for another minute, 34 seconds. Well, that constitutes a major freakout. ROBERT KRULWICH: Okay, I’ve got something on the dial here. ROBERT KRULWICH: Marge! Maybe had we been older and we had asked him, he would’ve told us the whole story. TONY FIELDS: And word that it was a hoax spread pretty quickly. ROBERT KRULWICH: Yes. © 1996-2021, Amazon.com, Inc. or its affiliates. The night time scenes are freaky in how the littlest of noises can scare us, but who of us haven't experiences paranoia when camping? Tell me when it gets to 8:05. JAD ABUMRAD: Still sells a lot of copies, you’d be surprised. At 20 minutes before 8 central time, Professor Farrell (sp?) I have to admit, we had a good time watching it. The story was carried the next day by 47 newspapers countrywide and on the night of the show and during the show united press bureaus up and down the east coast of America were besieged by phone calls asking about the Martian invasion in Buffalo. You’re absolutely right, it is incredible. Jetzt online gedenken. ), Virginia. Did it work? The Mercury Theater’s own version of dressing up in a sheet and jumping out of a bush and saying, boo! Wells story was written in 1898 so it was really an old book at the time and there is no reporter character in the book by the way. Very much out of the style of modern horror, this one is principally about the three main characters, their interaction, and their naiveté in attempting to chase down a paranormal legend. We’re not making this movie to kind of scare people. Gotcha. JAD ABUMRAD: Wow. And Maria, you-you were listening to everything that just came before this. Some said they saw Martian machines high-stepping their way down the Palisades, splash, splash, splash, uh, and many people-when they called operators or police-didn’t say, oh my god, we’re being invaded by Martians, oh my god, we’re being invaded by Germans. They all ran outside, found a taxi cab, threw the kids in (INAUDIBLE) ran behind the taxi cab. ACTOR 3 AS CONCERNED CITIZEN: I called to my husband, Dan, why don’t you get dressed? JAD ABUMRAD: Okay, this is Maria Beltran Testagrossa (sp? I certainly don't think this should be categorised as a horror movie. About out of every 12 people who heard the broadcast thought it was true and that some percentage of that 1 million people ran out of their homes, towels over their faces, clutching children, breaking limbs. JAD ABUMRAD: Okay, now just-let’s all just imagine there you are on your easy chair and you’re maybe drinking a cream soda. JAD ABUMRAD: Complex, indeed. It is similar to Paranormal Activity in that there is not a lot of action or noise or grisly mayhem. Some shape is rising out of the pit. You follow it. And so not too many people were listening, certainly not at the beginning, from 8 o’clock to 8:04 and so not too many people heard this very important introduction. Income Tax Forms & Instructions Booklet Resident Booklet 2020 M A RY L A ND 2020 STATE & LOCA L TA X FOR MS & I NSTRUC T IONS For filing personal state and local income taxes for full or part-year Maryland residents In 1964, the Chesapeake Bay Retriever, named after the famous Bay region of the breed’s origin, was declared the official dog of Maryland Peter Franchot, Comptroller … Bienvenue sur download-film.club ! ROBERT KRULWICH: Before making “The Blair Witch Project,” Dan Myrick heard a recording of the “War of the Worlds.” He was pretty young at the time, he was a teenager. ARCHIVE, WKBW broadcast: Halloween night. Um, the word that everybody I spoke to used to describe the way that Quito was in 1949-. ROBERT KRULWICH: The Ecuadorian guy, Leonardo-what’s his-. I remember sitting through it when it first came out and hating it until that last minute that somewhat redeems it. ARCHIVE, Pearson: The metal casing is definitely extraterrestrial, uh, not found on this Earth. But it was only after he and his producer, John Houseman left and read the papers the next day that they understood just how much trouble they had caused. Some listeners said, they actually felt like they were choking. ARCHIVE, Murrow: I should think in a few minutes, there will be shrapnel around here. TONY FIELDS: Doing impressions, that’s right. JAD ABUMRAD: So, at this point you think-. MICHAEL SOCOLOW: Exactly. ROBERT KRULWICH: So, here are two ways to think about the “War of the Worlds.” One: it was a smashing entertainment using every trick they could think of, including inventing some new ones to scare you silly. ROBERT KRULWICH: But when you entered the theater to see “The Blair Witch Project” the first thing you’d see on the screen are these two sentences: In October of 1994, three student filmmakers disappeared in the woods near Burkittsville, Maryland while shooting a documentary. They broke in. Socolow suspects that the actual number of listeners was way smaller and there’s no way to know for sure but he trusts a poll conducted that night.
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